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HOLD YOUR FINGERS, CARESS Grace Tarascio




















Became rman fingers
... yours.

on my hair
carezze
come soffi.
Mani che sono
sogni.

Tu anima
o
cosa bella
appartenuta
alla terra?

Non sei filo teso
ne senso
dipanato,
se non
mano
di carezza eterna.

Ma fermo
le dita.
Non è carezza...
E' estrema lontananza

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"Time Travel"



nearby underground Holborn in London lies a long underground tunnel which opened in 1906. Closed to the public since 1952, the Kingsway Tram Subway is an underground tram to the beginning of the century: here the young Conrad Shawcross, a rising star of British art, he created the evocative installation CHORD, a rainbow of wires suspended in the center of the abandoned tunnel.

In a symbolic place of changing technologies and advancing the unstoppable modernity (trams, too slow and not very capable, they were slowly replaced by the metro and the bus from the thirties), Shawcross has installed two lens rotating machines that weave 324 threads to create a colorful long rope.

Moving along the old tram tracks and gradually moving away from each other, the two machines provide high visibility tessuto del tempo nello spazio. Ogni ora, infatti, producono 20 centimetri di corda, ovvero sei metri al giorno.


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Ritengo essere questo un esempio di quanto la Tecnologia, come protesi inventata dall'uomo, possa servire come apertura conoscitiva di altre dimensioni.

.. "Non si dà Spazio senza Tempo"..
Lo spazio è un intervallo percorribile e il modo di conoscerlo è il TEMPO.

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TORMENT AND KISS Grace Tarascio















plunge as clouds
brushes

inside your being
just to tell you that

live my dreams lost. Suspended between
similarities

innate
dreamed of happiness

lived in us. Destini

suspended in hot sirocco wind


as my mouth

lit up when I drop
you.
It 's my face
sacred
who appear on your
. Torment and kiss

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"Surfacing"

RESIDUI COME RISORSA PER RIPENSARE IL PAESAGGIO

"... Now the beauty of the word is surfacing in suggesting a process of revelation" to the contrary. "As if the project is to be formed through some layers, but instead through a mode from ' top to bottom "with a mode from the" bottom up. "As a set of layers that normally surface, which reveal ... .."

The rapid changes in the places where they are bound, leaving the territory consume around her waste of space, meaning outstanding.
Scraps, scraps, are spaces that are offered as 'reserves', open to imagination and creative freedom, where practicing new ways to use and develop a thought, and often emerge where traces of a past that seemed to be erased, but instead turns out to be present and unexpected. Finding a new geometry of the architectural space takes shape through a sequence of successive approximations where the end result is explained by following backward Through a creative journey that has its roots in the "place" / the land of the project.

Eisenman 1978 Cannaregio Square use the presence of layers belonging to the past of the city of Venice to hybridize at strategic points with the addition of elements of the current project.