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WAVE SEA WATER IN THE MIRROR





















drown
nell'inconsistente
absurd
consistent.
Headstrong
is my

wedged in your being
sea wave.
Circle
winding
speaking
Walking, swimming

foam blank
breakwater.
current adverse
where to swim back

pushed
barrier against
your
water wave on the beach wet

of blue ocean.

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Tarascio Grace Andrea Grace Cesaria

Acqua nello specchio

volto ondeggia

paura d’amare

conflitto vitale.

Acqua nello specchio

pelle si fonde.

Pensieri e parole

lasciati e persi

in tratti sommersi.

Acqua nello specchio

vecchiaia,

uphill battle

together to dance on

clinging.

Water in the mirror

'll take you to fly.

Scie liquid

light waves.

Water in the mirror

'll take you to dream

I

you in forever.

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STARRY NIGHT TIME Tarascio




































Starry Night
of essence
of silent knowledge.
Time
that fills ...

but not separating, then feeds

fills
consciousness.
Failure
swelling
that wedge
heart
praised in love.
Tu presenza
costante
di notte,
sei colei
che
illumini
passi
in piccoli
cunei di stelle.

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Andrea Cesaria






















Il tempo si ferma.
Parole corrono via
liquide trasparenze
non l'attendono.
Tempo
daily
become peoples,
rushing
no longer your
no longer mine.
time liar.

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SIMPLICITY 'Andrea Cesaria





















I want to write poems tonight

steeped in metaphors,
difficult allusions, faint outlines

so
to make you understand that each

my word

not enough to give meaning to your
simplicity.

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NET STATION

MODELS FURNITURE and interrelated

IDEA DESIGN

Architecture Editable

Delineation of a sensitive environment

Scenarios "hypertext" in constant transformation

Interactivity as Subjectivity

"Time is no longer the time of succession and the alternation between day and night, but is of immediacy, instantaneousness' and 'UBiQUiO', ie those who have in the past were Attributes of the Deity "

(From an article in an interview by François Burkhardt appeared the first issue of Crossing )

The idea is this: the idea of \u200b\u200bdisrupting .. BUS STOP ... how?? Taking away the meaning of static '. Let us make

MOBILE .... the User will no longer wait passively for the arrival of a means of transport but is himself the protagonist of the SET! It may be a point in the Urban Green Line and at the same time interact with other stations and its own users.

forms and structures will be able to interact with users.

TECHNOLOGY Each station will be equipped with adequate to ensure that the user has access to any part of the URBAN GREEN LINE

The plot itself is no longer simply a means of transport, this will be an integral part of the ring Green and stations .... all in a unique form a new conception of urbanscape.

Our goal is to revolutionize the stop treating it with programs such as Grasshopper and RhinoScript regarding the design.

MAP

For trip planning

Users can put your finger on a touch-sensitive map for news on the destination.
The interactive screen will show them the shortest path from where they are located

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HOLD YOUR FINGERS, CARESS Grace Tarascio




















Became rman fingers
... yours.

on my hair
carezze
come soffi.
Mani che sono
sogni.

Tu anima
o
cosa bella
appartenuta
alla terra?

Non sei filo teso
ne senso
dipanato,
se non
mano
di carezza eterna.

Ma fermo
le dita.
Non è carezza...
E' estrema lontananza

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"Time Travel"



nearby underground Holborn in London lies a long underground tunnel which opened in 1906. Closed to the public since 1952, the Kingsway Tram Subway is an underground tram to the beginning of the century: here the young Conrad Shawcross, a rising star of British art, he created the evocative installation CHORD, a rainbow of wires suspended in the center of the abandoned tunnel.

In a symbolic place of changing technologies and advancing the unstoppable modernity (trams, too slow and not very capable, they were slowly replaced by the metro and the bus from the thirties), Shawcross has installed two lens rotating machines that weave 324 threads to create a colorful long rope.

Moving along the old tram tracks and gradually moving away from each other, the two machines provide high visibility tessuto del tempo nello spazio. Ogni ora, infatti, producono 20 centimetri di corda, ovvero sei metri al giorno.


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Ritengo essere questo un esempio di quanto la Tecnologia, come protesi inventata dall'uomo, possa servire come apertura conoscitiva di altre dimensioni.

.. "Non si dà Spazio senza Tempo"..
Lo spazio è un intervallo percorribile e il modo di conoscerlo è il TEMPO.

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TORMENT AND KISS Grace Tarascio















plunge as clouds
brushes

inside your being
just to tell you that

live my dreams lost. Suspended between
similarities

innate
dreamed of happiness

lived in us. Destini

suspended in hot sirocco wind


as my mouth

lit up when I drop
you.
It 's my face
sacred
who appear on your
. Torment and kiss

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"Surfacing"

RESIDUI COME RISORSA PER RIPENSARE IL PAESAGGIO

"... Now the beauty of the word is surfacing in suggesting a process of revelation" to the contrary. "As if the project is to be formed through some layers, but instead through a mode from ' top to bottom "with a mode from the" bottom up. "As a set of layers that normally surface, which reveal ... .."

The rapid changes in the places where they are bound, leaving the territory consume around her waste of space, meaning outstanding.
Scraps, scraps, are spaces that are offered as 'reserves', open to imagination and creative freedom, where practicing new ways to use and develop a thought, and often emerge where traces of a past that seemed to be erased, but instead turns out to be present and unexpected. Finding a new geometry of the architectural space takes shape through a sequence of successive approximations where the end result is explained by following backward Through a creative journey that has its roots in the "place" / the land of the project.

Eisenman 1978 Cannaregio Square use the presence of layers belonging to the past of the city of Venice to hybridize at strategic points with the addition of elements of the current project.

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WITHOUT YOU A MONTPARNASSE Andrea Cesaria




















Quella mattina
dietro Montparnasse
arrivò la pioggia
che graffiò
le nostre età.
Senza di lei
il mio cuore piangerà,
l'attesa del suo corpo
come frutto invecchierà.
Senza di lei,
sono metà,
ramo spoglio
che scrive alla sera
la sua tranquillità
dietro Montparnasse
dinanzi Rue de Rennes.

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SUPPORTED Grace Tarascio














Appoggiati
ed abbandonati
per nutrirci.

Estasi
in piacere
immaginato,
immaginario.

Visione
incompleta
di noi...

Spogliati
per averci
absolute.

Linked
eye
body
for clothing
of sips
sins.

Anime
dipped
knotted in
pleasure.

Perle
collected
in fertile womb

circled
horizon.

unquenchable
nudity
of our sea
dissolved
wave.

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"substance of things hoped"


Concludendo la sua "Profezia dell'architettura" Edoardo Persico disse : "Da un secolo la storia dell'arte in Europa non è soltanto una serie di azioni e di reazioni particolari ma un movimento di coscienza collettiva. Riconoscere questo significa trovare l'apporto dell'architettura attuale. E non conta che questa pregiudiziale sia rinnegata da coloro che più dovrebbero difenderla, o tradita da chi più vanamente la tema: essa desta lo stesso la fede segreta dell'epoca. "Sostanza di cose sperate"


"........ To paraphrase a joke about the theater of Robert Bresson, one might say that architecture is the architecture. And it's always for the people of this architecture, which wants to change architecture, not ever change. There, you can not change, otherwise it will become something that is not architecture. Architecture is always equal to stessa.Ma if the architecture is also, still, "substance of things hoped for " is because it does not require renegotiation every time its meaning and its membership in the world. The architecture is the world, in the form in which it is made available ad accogliere l'uomo: una forma di cui l'uomo ambisce a fissare i principi nei quali riconoscere e verificare valori collettivi e condivisi. La celebre "profezia" di Edoardo Persico del 1935 è dunque l'esempio più chiaro di come non serva a nulla chiedersi affannosamente ogni volta cos'è l'architettura. La speranza di Persico non risiede nell'imperativo di cambiare tutto per disfarsi al più presto del proprio, deteriorato, presente. È invece la speranza di mettere a fuoco, comprendere e condividere questa sostanza delle cose; cose di cui riconosciamo i nessi inevitabili, nonostante tutta la storia dell'architettura sia troppo spesso presentata soltanto come il racconto dello sforzo prometeico di rompere quei nessi, di decidere il proprio future (that is, literally, to separate it from the present), to free themselves from the oppression of a past that inhibits the completion of the project. ......"
(from Theory and Critica.Punto and head)

E 'the same Persian critical to have the intuition that, alluding to Wright, said that the 'new architecture was created in the wake of impressionism, "Wright second Persian can' be considered the new Architecture Cezanne" .
the Cezanne who had worked on a contradiction (Volume and fragmentation) an interest to bring the line to the primary forms of the cone, the sphere, the cube by putting them in a logical and analytical summary that determines a presence abstraction-identification of constituent parts.
The most concise of the period is of course the prospect of autonomy in context and removes property. Cezanne breaks this new vision to give autonomy to the parties in a fragmented vision.
It is the same analytical logic, which "optimizes and puts in order" to move the ranks of the new industrial age.

... If we were to use the power of machines in order to build a new freedom for man, organic free in the city is now inevitable on our civilization, we could live forever!

... The home will have individual organic relationship with the landscape, with the media, with the distribution of means of consumption, with educational opportunities and cultural events. Decentralisation first, then planned reintegration. ....

. .... The architecture and the space will be jointly viewed as landscape, as were the best ancient architecture, and will become more essential to each other. ....

...." The man is not a 'atrazione acts and functions, which he had designed the mechanical printing capabilities, which all reduced to the standart model of car. " .....( Wright)

The first idea on which we build Wright , putting him in opposition to Le Corbusier and Elijah, is that the machine should not imprint the life of man, because man is individual and so are its functions and its ways of life.

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The Architecture THAT "COMMUNITY"

On 30 January 1957, the Sydney Morning Herald published a front page next to the photo and the name of its author, the Danish architect Jørn Utzon, a view of the winning project - designed specifically for the papers - completely out of stylistic practices, the sprawling shape of a cover made from something vaguely resembling a whole bunch of different times to the shell.

Apart from the specific sign of criticism that greeted the design of future great Australian drama, it appeared that architecture in any event, in its absolute originality, as an object unclassifiable.
Utzon è forzato ad abbandonare l'incarico in corso d'opera. Non potrà tra l'altro realizzare tutti gli interni e le vetrate. A rigore l'Opera di Sydney andrebbe considerata un'incompiuta.
Tuttavia, l'eccezionale fama di un edificio che, principalmente per le sue "vele", in meno di trent'anni dall'inaugurazione è diventato SIMBOLO UNIVERSALE dell'AUSTRALIA INTERA e dell'ARCHITETTURA MODERNA, autorizza ad immaginare, romanticamente, che il compito assegnato all'architetto si fosse già concluso quando trovandone quasi platonicamente l'essenza estetica, Utzon assicurò da ogni possibile contaminazione il futuro del suo capolavoro, consegnandolo ormai incontaminabile alla storia.

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WINTER LOOSE Grace Tarascio

In a pale sun
d ' Winter
I see your smile
melt ice that enveloped
...
me stalactite.

Statue chilly
from my time
against.

When you step
has melted my heart

cream

to slather on your lips.

My poor moon
now lives
the melting ice in

in my old days ...

Comfort and pain
is
my
thaw in your abyss
of the warm sea.

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BACI KNOTTED Andrea Cesaria

Nodes kisses

chew

thought

not to dissolve

time,

joining

maze

of their dreams

the loop of the heart

drawn from silence

marked

to kiss liar.

verses inspired by the poem "Node Velvet Grace Tarascio.